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SUMMER IN A GARDEN
and
CALVIN A STUDY OF CHARACTER
By Charles Dudley Warner
INTRODUCTORY LETTER
MY DEAR MR. FIELDS,--I did promise to write an Introduction to these
charming papers but an Introduction,--what is it?--a sort of
pilaster, put upon the face of a building for looks' sake, and
usually flat,--very flat. Sometimes it may be called a caryatid,
which is, as I understand it, a cruel device of architecture,
representing a man or a woman, obliged to hold up upon his or her
head or shoulders a structure which they did not build, and which
could stand just as well without as with them. But an Introduction
is more apt to be a pillar, such as one may see in Baalbec, standing
up in the air all alone, with nothing on it, and with nothing for it
to do.
But an Introductory Letter is different. There is in that no
formality, no assumption of function, no awkward propriety or dignity
to be sustained. A letter at the opening of a book may be only a
footpath, leading the curious to a favorable point of observation,
and then leaving them to wander as they will.
Sluggards have been sent to the ant for wisdom; but writers might
better be sent to the spider, not because he works all night, and
watches all day, but because he works unconsciously. He dare not
even bring his work before his own eyes, but keeps it behind him, as
if too much knowledge of what one is doing would spoil the delicacy
and modesty of one's work.
Almost all graceful and fanciful work is born like a dream, that
comes noiselessly, and tarries silently, and goes as a bubble bursts.
And yet somewhere work must come in,--real, well-considered work.
Inness (the best American painter of Nature in her moods of real
human feeling) once said, "No man can do anything in art, unless he
has intuitions; but, between whiles, one must work hard in collecting
the materials out of which intuitions are made." The truth could not
be hit off better. Knowledge is the soil, and intuitions are the
flowers which grow up out of it. The soil must be well enriched and
worked.
It is very plain, or will be to those who read these papers, now
gathered up into this book, as into a chariot for a race, that the
author has long employed his eyes, his ears, and his understanding,
in observing and considering the facts of Nature, and in weaving
curious analogies. Being an editor of one of the oldest daily news-
papers in New England, and obliged to fill its columns day after day
(as the village mill is obliged to render every day so many sacks of
flour or of meal to its hungry customers), it naturally occurred to
him, "Why not write something which I myself, as well as my readers,
shall enjoy? The market gives them facts enough; politics, lies
enough; art, affectations enough; criminal news, horrors enough;
fashion, more than enough of vanity upon vanity, and vexation of
purse. Why should they not have some of those wandering and joyous
fancies which solace my hours?"
The suggestion ripened into execution. Men and women read, and
wanted more. These garden letters began to blossom every week; and
many hands were glad to gather pleasure from them. A sign it was of
wisdom. In our feverish days it is a sign of health or of
convalescence that men love gentle pleasure, and enjoyments that do
not rush or roar, but distill as the dew.
The love of rural life, the habit of finding enjoyment in familiar
things, that susceptibility to Nature which keeps the nerve gently
thrilled in her homliest nooks and by her commonest sounds, is worth
a thousand fortunes of money, or its equivalents.
Every book which interprets the secret lore of fields and gardens,
every essay that brings men nearer to the understanding of the
mysteries which every tree whispers, every brook murmurs, every weed,
even, hints, is a contribution to the wealth and the happiness of our
kind. And if the lines of the writer shall be traced in quaint
characters, and be filled with a grave humor, or break out at times
into merriment, all this will be no presumption against their wisdom
or his goodness. Is the oak less strong and tough because the mosses
and weather-stains stick in all manner of grotesque sketches along
its bark? Now, truly, one may not learn from this little book either
divinity or horticulture; but if he gets a pure happiness, and a
tendency to repeat the happiness from the simple stores of Nature, he
will gain from our friend's garden what Adam lost in his, and what
neither philosophy nor divinity has always been able to restore.
Wherefore, thanking you for listening to a former letter, which
begged you to consider whether these curious and ingenious papers,
that go winding about like a half-trodden path between the garden and
the field, might not be given in book-form to your million readers, I
remain, yours to command in everything but the writing of an
Introduction,
HENRY WARD BEECHER.
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